Winyl 1×LP, Limited Coloured$30.00
Blue with white splatter 140g limited edition 12" vinyl - only 300 copiesWięcej
320 kbps, LAME-encoded
Defying easy categorisation, Boundaries is equally influenced by the L.A beat scene including Flying Lotus, Taylor McFerrin and Gonjasufi, the UK post-dubstep electronic scene, as well as African artists such as Blue Note jazz guitarist Lionel Loueke, Mumford & Sons collaborator and Senegalese super star Baab Maal and Tinariwen. Steele worked with Jordan Rakei’s co-producer and drummer Jim Macrae to create the textured sound of the album, “by setting a bed of drums for each track. A lot of this was highly processed and often looped with live drum takes layered with samples which were sent into the modular sampler and filtered with effects”.
Forging a sound of his own, the Goldsmith Uni alumni is a master of blending his eclectic range of influences; elements of Soul, Indie, African and Electronic Music are weaved into a rich tapestry of percussive rhythms, tasteful guitar work and deft poeticism. His music is a sonically adventurous experience, a complex and layered approved sound palette skilfully tied around his distinctive vocals. Talking about the narrative behind the album Steel explains; “’Boundaries’ speaks of confronting the self and challenging its limitations, searching for a sense of home or trying to get back to the feeling of it (Harry’s childhood home was called Boundary farm). It also alludes to the geographical crossroad of musical influence found on the record; from London to Lagos, Soweto to Chicago it’s all in there.”
Harry Jay-Steele - Not Quite Like This